St. Gregory of Nazianzus (c.330-389) has been regarded as one of the
finest orators and stylists of late antiquity. Several monographs have
demonstrated the influence of Hellenistic or classical Greek rhetorical
sources on Gregory’s style, but there is no extensive treatment of style
as found in a single homily.
This paper aims at uncovering the poetic rhetoric as found in Oration
40 (“On Holy Baptism”). This will be done by providing an in-depth
stylistic analysis of the Greek text of five different sections within
the homily. The analysis will include setting out the words and phrases
on the page to reflect its poetic character, as determined by
dichotomies, chiasm, parallelism, symmetry, ascending or descending
intensity, etc., with the goal of demarcating the unique configuration
of images and motifs found in each of these sections. A brief commentary
will follow, focusing on how the Saint combines aesthetic and literary
sensitivity with theological nuance to generate a message that is, at
times, breathtaking as well as didactic on several levels – in the best
sense of that word – with regard to the significance of this sacrament.
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