While the divine names are well-known in the Christian tradition from
the Dionysian corpus and in the Islamic tradition from the ninety-nine
beautiful names of God, what has been virtually passed over is a third
tradition that may be seen as a kind of bridge between these two
traditions in several notable respects. In order to bring this neglected
area to light, this paper will present a short summary of some of the
most prominent patterns in the role and transmission of the divine names
in the liturgical tradition of the Church of the East. From a first
glance at the ferial and festal service books, such as the Ḥudrā and the
Gazzā, it becomes clear that the divine names play no small part in the
liturgical cycle. A great variety of names are invoked, as each name
performs a particular mystogogical function. To illustrate this, we will
review the following key patterns and their place in the rāzē or
mysteries of the Church of the East: Trinity, Power, Light, Life,
Creativity, Beauty, Love, Good, and Wisdom. Each of these patterns
culminates in a paradoxical pair brought together in the Incarnation:
the hidden reality, as in the Power of God, and the kenotic
manifestation, as in the Weakness of Man. By participating in the
kenotic manifestations of these patterns throughout the feasts and fasts
of the liturgical year, the faithful are to be drawn into the hidden
realities of the divine life.
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