In epist. 10, 73, 8 the bishop of Milan Ambrose refutes the argumentations of Praefectus Urbi
Symmachus, who invokes the principles of the oneness of the Divine and
the plurality of ways to reach it in support of the request, addressed
to Valentinian II, to replace the statue and the altar of the goddess
Victoria, symbols of traditional religion, in the Roman Curia. Almost
twenty years later Prudentius, drawing motifs and themes from both
Classic and Christian production, versifies in the second book of the Contra Symmachum the texts of the debate de ara Victoriae: in particular, in c. Symmach.
2, 773-909, the symmachian image of the complexity of ways to reach the
divine mystery is refuted by the Spanish poet, describing the many
trails in the branched way of paganism, of which the only guide is the
devil. The paper aims at analyzing in a comparative perspective the
ambrosian refutation and the prudentian one of the above mentioned
passage of the Relatio 3, highlighting on the one hand the
complex cultural background of the controversialists’ texts, on the
other hand the differences and analogies between the conceptions
expressed and the aspects to which they give prominence in order to
plead the Christian cause.
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