In a provocative comparison developed throughout strom. VII, Clement designates the gnostic instructor the “third divine image”. Hence, Clement’s conception of “cosmic pedagogy” assumes mimetic and even mediatorial dimensions: in assimilating his pupils to the Word, the instructor deports himself in conscious imitation of Christ. Regarding the Stromateis itself as a specimen of this strategy, the text becomes a universe in which Clement as steward (oikonomos) organizes the materials and “speaks” in a dispensation (oikonomia) conducive to virtue in his pupils. The enigmatic literary form of the Stromateis, therefore, reflects an attempt to reproduce Christ’s teaching and providential ordering of the cosmos in a text. Moreover, the distinctive content of this instruction--mystery, eclecticism, and allegory--take on altered significance when one locates it within the matrix of this pedagogical conceit.
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