The early manifestations of image veneration in Christian practice
arose in a context with already well-developed traditions of relic
veneration. But, despite similarities between these two practices, it
has long been established that we must not look for a relic behind every
early venerated image, and that there is thus no direct evolution.
Aware of this, and in light of recent scholarship on the sensory
mediation of holiness, this paper returns to the question of the
relationship between image and relic veneration. Post-Iconoclasm, icons
functioned according to a theory of paradigmatic visual holiness, and
relics functioned on a paradigm of material holiness. Looking at select
narratives of image veneration in the 7th century, this paper shows that
a sense that images, as visible entities, were inadequate as conveyors
of holiness predominated. Given this ambivalence about visuality, in
these early image narratives, images came to receive veneration by being
integrated into a material conception of holiness. When images are
venerated or perform miracles in the 7th century, they are thought of
not as representations but as tangible material objects. They are thus
incorporated into the cult of the relics and modeled after it, despite
the lack of any actual relic being present.
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