While abundant interpretive dialogue continues to transpire in regards to the early third-century Passio Perpetuae et Felicitatis, a ubiquitous assumption with significant exegetical consequences remains to be called into question. The Passio purports to narrate the trial, prison experience, and deaths of six Christians in Carthage. Passio scholarship past and present asserts that since five of these martyrs are adolescentes catechumeni (2.1.1),
their Christian identity and instruction was nascent, exiguous at best.
This is particularly significant because one among them, the elite
matron Vibia Perpetua, is a main character and the second narrator
within the text. The pervasive assumption that the catechumens are ‘new
converts’ has cultivated dismissive interpretive engagement with her
voice in particular: any apparent engagement with sophisticated
Christian concepts or vocabularies must be clever mimicry, muddled
vestiges of paganism, or oneiric symbolism. This paper counters that we
cannot assume that ‘catechumen’ equates to incipient
exposure to Christian texts, oral teachings, corporate practices and
identities, etc. Variegated contemporary sources and scholarship on the
catechumenate, in fact, indicate that though catechetical praxis
featured variations depending upon time, place, and participants, some
generalities may be discerned. Suppositions about the adjective ‘catechumen’ in Passio studies
are thus challenged, and, consequentially, it is insinuated that
interpretive endeavor can seek potentially mature engagement with
Christian texts, traditions, and teachings among the Passio catechumens.
The implications of this study affect exegesis of this text but also
contribute to gender studies and scholarship on early Christian
identities and practices.
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