The hagiographic biographies of Gorgonia and Macrina invite the
hearer and reader into the intimate lives of two aristocratic Christian
women. Both authors, respectively Gregory of Nazianzus and Gregory of
Nyssa, create audience access to the most private moments of their
sisters. The inner sanctum of an elite family, particularly its women,
was normally highly restricted. Yet in both of these cases, the writers
graphically recount grave suffering in their siblings. Such descriptions
of personal experiences might otherwise suggest elements of voyeurism.
But as bishops with sacred authority, Nazianzen and Nyssen transformed
the spectacle of agony into an occasion of spiritual participation. The
ailing bodies, where the material and the divine converged, became
numinous sites of a holy meeting-place where faith transcended
affliction. Recalling the vitae of pre-Constantinian martyrs, the lives
of Gorgonia and Macrina served as a medium for lay Christians to
encounter a piety that closed the distance between the temporal and the
eternal, the common and the sublime. The shame of human misery thus was
re-oriented to a celebration of sanctified bliss.
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