In the introduction to The World of Gregory of Tours, edited by
Kathleen Mitchell and Ian Wood, Peter Brown
remarked that the scholarship on Gregory of Tours was “something of an academic
industry.” Although works on his histories have certainly topped the list,
studies on his hagiographical works are not far behind. I will attempt to add
capital to this industry by examining an often-overlooked aspect of the bishop
of Tours’ hagiographical works: the possible source materials that underlie some
of his narrative accounts. This paper examines Gregory’s descriptions of demonic
encounters in light of the written source materials he most likely had at his
disposal and from which he drew inspiration. Certainly utilizing local folk and
oral tradition as well, Gregory frames his narrative accounts within the rich
patristic, especially monastic literature in which he was so immersed. I
propose that, along with such sources as Sulpicius Severus, John Cassian,
Caesarius of Arles, and Paulinus of Nola, Gregory may also have drawn directly
from the Latin version of Athanasius’ Life of St. Anthony. Although his
demonic-encounter narratives are certainly uniquely his own, I will show that
Gregory transmits important aspects of this rich patristic demonological
tradition, such as certain animal and fantastical forms, typical colors, and
overall narrative characteristics, within his hagiographical works; a tradition
which was to become part and parcel of the western medieval demonological
industry to follow.
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