Ron Ditmars: The universal language of JS Bach and Gregory of Nazianzus, as exemplified by the latter's homily on baptism (Or. 40)

St. Gregory of Nazianzus has been widely regarded as one of the finest orators and stylists of the patristic age. But how is that to be determined? One thesis of this communication is that some of the most complex, aesthetically nuanced, and theologically profound expressions are encountered in the occasional lyric found embedded in the prose narrative. Two such sections in the baptismal homily (Or. 40.2 and 40.5)), exhibiting an almost breathtaking configuration of images, will be analyzed. A second thesis of this paper is that Gregory’s interweaving of poetic beauty and theological depth is unique and endlessly captivating. I find it as universally appealing and convincing as the musical compositions of JS Bach. Hence the title. The paper will include excerpts from Bach’s corpus side by side with the referenced lyrical passages in St. Gregory's baptismal homily.